The first step in producing a Giclée is creating a digitized copy of the original. This is accomplished by scanning the original, scanning a film transparency of the original, or taking a digital photograph of the original.

We take the utmost care in capturing the true color and detail of your original. Once the image is digitized, we use a number of techniques to color correct and "fine tune" as needed. Minor imperfections are repaired at no charge.

During this proofing process, we create small prints on the same paper or canvas so the artist can visualize their print as true to the original as possible.

In our Giclée printing process, a fine stream of pigmented inks (more than four million droplets per second) is sprayed onto fine art papers made by Arches®, Hahnemühle® or Somerset® or onto archival grade canvas and fabrics.


The work flow provides the best possible communication between artist and "atelier" and virtually eliminates unforeseen variations. We welcome and encourage the artist to "sit in" with us, if possible, during this stage to ensure that every correction is made.

We know that no two individuals see color identically whether due to a persons age, ambient lighting source, etc. Computer monitors can only simulate what the final print will look like, the difference being projected light versus reflected light.